Tipsy Cake bakery offends Humboldt Park community

UPDATE: Tomorrow at noon there will be a protest at 1043 N. California against the comments made in this video. 

So last night, I got a message from a good friend over at Latino Rebels, the site that brings Latino issues to light that aren’t necessarily being covered by mainstream media.

The video is an interview by City Soles’ Scott Starbuck with Naomi Levine, owner of Tipsy Cake bakery that was once based and housed in Humboldt Park, from which they still produce all of their baked goods. The bakery has a new spot in Bucktown. Levine’s reason for moving? “Too many bullet holes in the cakes.”

Starbuck doesn’t ask what she means or even attempts to redirect the comment but plays on it, pointing into the cakes with his finger and laughing. What?

First of all, if you really wanted to see bullet holes in your cake, you should have settled in the area 25-30 years ago, when you really did have a reason to watch your back and your cakes. Humboldt Park was one of the most dangerous areas in the city of Chicago in the late’80s and early ’90s, I won’t deny that. Humboldt Park was featured on Ganglands by the History channel because of one of the gangs. But to say that that’s were Humboldt Park is now is just plain wrong.

Get your facts straight, lady. In the last 20 years, the Humboldt Park neighborhood has been the victim of intense gentrification. Where there were buildings being shut down, condos were going up. Lots were being sold and long-time family homes were being bought out, remodeled and rented for much more than anyone would think.

The only reason why it is still considered the nationalistic Puerto Rican community that it is, is because of the community itself that has stood its ground with a campaign known as “Humboldt Park no se vende.”

It’s the people who have cleaned up their neighborhood and have succeeded through a lifetime of struggles. Various people from all walks of life have come to enjoy what Humboldt Park is turning into: A haven for young Chicagoans to live. And guess what, they are Tipsy Cake constituents.

Levine obviously didn’t know what she was talking about and for her to insult a community that has come a long way without understanding the hardships was just insensitive and inappropriate, states the Humboldt Park Portal.

When the community found out about this video, they spoke out and guess what: Tipsy shut them up by deleting comments, blocking Facebook users and not responding to Tweets directed at them. Because people are super intelligent and the internet is a wonderful thing, users and angry constituents turned to Yelp, where you will find a long line of one-starred-comments telling them everything from “I have never been here and now I know I will NEVER shop here because of the video I watched…” to “Shame on you. Humboldt Park welcomed your business with open arms and you sh**ted on them. Karma is real.”

So we’ll leave  you with Latino Rebels’ edited video that talks about bullet holes and the crack that they sell. Yes, that’s right “Humboldt crack,” said Starbuck before putting it in his mouth.

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The Fullerton Experience: The Chicago Latino zone

Mike Oquendo has been putting his productions on stage at Joe’s on Weed Street for the last 10 years. Last year, they celebrated 114 performances, he said Sunday night. Walking into Joe’s, the front bar was packed with people, mostly all Latino talking about being there for the Fullerton Experience. The house itself was jam packed, sold out for the second show of the evening.

“We’ve been putting shows on here for the last 10 years and this, mi gente, is the show that I’ve been waiting 10 years for,” he said from the stage.

Before bringing out the players for “No Cruising Zone: The Fullerton Experience,” Oquendo introduced some major players in the lives of those native Chicagoan Generation X-ers who cruised up and down Fullerton Avenue on Chicago’s north side and partied at various night clubs located on Milwaukee, Fullerton, Belmont and Pulaski.

His special guest of the night was Kenny “Jammin’” Jason, well-known mix master DJ who had a WBMX show called Saturday Night Live. Opening a radio space for the freestyle and house genres that hit Chicago and its Latinos hard, it was the station and radio show that allowed for people to listen to artists like Stevie B and George Lamond and  hear a mix of the top songs.

In addition to Jason, Oquendo introduced Al Cisneros who was the founder of Jenal’s, which had three locations around the northwest side of the city. If you talk to Latinos who just happened to know what was up at that time, they could probably be found at one of the Jenal’s spots on a Saturday night.

“What happens at a Mikey O show goes on Facebook! Take that picture!” Oquendo said as Cisneros and Jason stood onstage together.

The players came out to perform short skits, mixed in with a bit of stand-up performed by Chicago natives, telling their stories about growing up. From Antonia Arcely talking about roaches in the cereal to Gwen De La Roka reminiscing about voice mail greeting recordings, the crowd was receptive and full of laughter.

In the first scene which played off of the idea of a talk show, Wendy Mateo and Lori Diaz played mothers to Arcely and De La Roka respectively. The conversation went from outfit strategies to what kind of men Latinas in Chicago find attractive, which turned out to be the paranoid jailbird, played by Jeff Quintana.

My favorite of the night had to be a skit between Jose Iasel Gonzalez and Diaz. She ran in disheveled, while her brother, Gonzalez, stared at himself and flexed in the mirror. She screamed at him, asking if he had told their father that she was out at the club with her man. She said that the DJ had stopped the music and called her out, saying her father was outside. Laughs and high pitched giggles emerged from the audience. It turned out that her brother did tell on her and she left the room threatening him. Quintana walks in as their father and asks Gonzalez to demonstrate how he walks like a gangster. Needless to say, after punishing his son, the boy didn’t walk like a gangster any longer.

Another skit touched on the time with the Chicago Bulls were reigning champions of the world, or so it seemed to all of us Chicagoans. Eddie Martinez plays a student stuck at home studying as Gonzalez runs in screaming that the Bulls had won the 1991 NBA Championship. Martinez couldn’t watch the game because his mother wanted to watch her telenovela, Mar y Mar. He goes on to list various other telenovelas of the time like Dos Mujeres Un Camino, popular among our parents and older generation Spanish speakers. In the end, the boys decide to cruise Fullerton to celebrate.

Those who were coming out of the earlier show were being picked up by cars blasting freestyle music and making people dance the night away. Those who saw friends or relatives in line for the next show said hi and, “Oh my God, you’re going to love it.”

The night was sprinkled with “You know you’re getting old” jokes along with references to the ’80s and early ’90s. This hyper-local, Chicago-centric, Latino-driven performance gave those in attendance a reason to turn back time, reminisce about the “good times,” enjoy the music and have pride in being a product of  Latino Chicago; a place that many know as ghetto, gang-affiliated and negative. If anything, this space and time gave people a chance to acknowledge those aspects and embrace it because although growing up that way was hard, everyone made it through.

What we gained coming out of Humboldt Park, Logan Square and Chicago in the ’90s was strength and dedication to move up and out. There are aspects of our community that you can’t avoid and unfortunately, although it may be scary, gunshots and gang bangers were part of the environment. You dealt and you got through.

I give props to this show because it gave its audience a space to remember, laugh together and yell every time a Stevie B song started playing.

 

 

 

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The Grammy Awards: What we loved, what we hated.

The bloggers and I watched the Grammys and we had a lot of things to say about them. But this is a blog post, so we’re going to keep it short and sweet. So here we go…

  • Did you know that the Grammys cut out 31 categories, many of which were formerly claimed by artists of color? Our friends over at Latino Rebels showed this to us. Our bloggers also brought it up and someone said he didn’t like the fact that there was a lack of Latino performers. “But they have their own Grammys!” you say. Yes, but there are also many, many artists who claimed these diverse categories that have nowhere else to be honored or acknowledged.  Check out the petition and see why well-known acts such as Santana, Ruben Blades and Bobby Sanabria have boycotted the Grammys this year. It’s caused quite a stir.
  • We loved Bruno Mars‘ performance. We’re convinced that Filipinos mixed with Latinos make beautiful babies. See below.

  • What more though, is that we loved his hair.

    Bruno Mars | Photo by Getty Images

  • Another thing we loved was the fact that Adeleis back! And not only did she give one stellar performance, but she took home six Grammys! We loved her performance so much, that it totally overshadowed some others that we’ll get to later.

    Adele with 6 | Getty Images

  • And so, if you missed the performance, we’ll show you that too. (We know this is getting insanely long, but live with it!)  This recording is like you’re watching it from you own TV!

  • This was my favorite quote by Bob Lefsetz about the Grammys: “Less is more. Who made a bigger impression last night, Adele or Nicki Minaj? Who sold more records? It’s about music. It goes in the ears, not the eyes.”
  • Which leads us to the worst of the night. Nicki, what in the world were you thinking?! Because TMZ said it best, we’re going to let TMZ say it again.

  • And finally, Bon Iver. I had never heard of him before the award like last year, when no one knew who Esperanza Spaulding was and she, my friends, is amazing. So what did I do? I YouTubed the guy and I found the video below. There are more videos to watch and although he’s soothing, I think the Recording Academy was going for quality over… umm… Lady Gaga wannabe? To each their own, but in the end, Bon Iver (whoever he is) did good.

  • And last but not least, we hated the fact that Chris Brown performed and even more, that little girls everywhere were saying things like, “Chris Brown can beat me any time he wants.” No, girls! Latina Denial said it best in their blog and we will repeat: No, a man can not beat you any time he wants! We’re not even going to show the video because it was sad. Nice try to jump start your career but too bad it ended because smart women didn’t like the fact that you leave chicks with black eyes. Gross!
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A Latin American Festival coming to the Congress?

Los Amigos Invisibles will be part of the Latin American Festival in July

According to Songkick.com, where readers are assured to be the first to know about concerts, there will be a Latin American Festival 2012 happening at our very own Congress Theater on Saturday, July 21. You heard right and can you guess the bands that are scheduled to appear?

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Cafe Tacuba 

Panteon Rococo

Kinky: Watch Bailar Hasta Quemarnos.

Los Amigos Invisibles , who by the way are playing the Cubby Bear on March 1. Guess who’s giving away passes to see that show? (That would be US!)

El Gran Silencio

Can you say, “WE’RE GOING TO BE THERE?” We’re shocked, amazed and excited.

Victor Cruz’s Salsa Moves and more

Giant’s wide reciever, Victor Cruz is known for his salsa moves after a touch down. One of two Puerto Rican players playing in the Super Bowl tonight, Cruz has been talking about his new daughter, Kennedy Ryan, and has shown his pride in his Puerto Rican heritage, bringing Latinidad to football. The other boricua playing tonight is Aaron Hernandez, a tight end playing for the Patriots. Rumor has it that Hernandez may have his own moves tonight. But who will dance first, is the real the question.

No matter who wins, the Giants or the Patriots, a Puerto Rican athlete will be taking home a Super Bowl ring. Wepa!

Facts about Latinos in football:

  • Latinos make up about one percent of players in the NFL.
  • Ron Rivera, of Mexican and Puerto Rican heritage, is the third Latino named to a NFL head coach position, now that he’s the head coach of the Carolina Panthers.
  • According to the LA Times: “Fifteen NFL teams have Spanish-language content on their websites and 14 broadcast their games on Spanish-language radio, including the Cardinals and Cowboys, who also beam their games into Mexico. In addition, Univision radio airs 32 games nationally, including the playoffs, Super Bowl and Pro Bowl.”
  • Ignacio “Lou” Molinet was the first known Latino to play in the NFL in 1927 for the Frankford Yellowjackets and was a native of Chaparra, Cuba.
  • The first Latino quarterback in the NFL was Tom Flores for the Oakland Raiders in 1960.
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Los Hollywood leaves the crowd thirsting for more

Last night, the San Diego trio, Los Hollywood, hit up the Cubby Bear in Wrigleyville. As the opening act for Noches de Rock, which will take place Thursday nights, Los Hollywood was an excellent way to start the series.

The band hadn’t been back to Chicago since 2008, right after they won the MySpace Latino Battle of the Bands competition which not only built their fan base around the country, but launched them into the indie rock scene, playing at South By South West in Austin, Texas and the Latin Alternative Music Conference in New York City.

The band made up of Heidy Flores on vocals, Marcos Mondregon on guitar/bass and Gustavo Mojica on drums, recently ended their mini-Southern California tour, was only in for two days and had the opportunity to see Los Rieleros del Norte and K-Paz de la Sierra at VLive. The fact that they got a shout out from the stage, had an opportunity to hang out with Los Rieleros and got back stage access, threw Flores for a whirlwind.

“De repente dice uno de ellos, ‘Saludos a Los Hollywood!’ and I was excited!” said Flores. “He said it twice.”

The Cubby Bear performance started close to 11 p.m. with a fairly decent crowd. As soon as they took stage, people clapped, whistled and cheered.

Although many of us in the audience didn’t find out about this show until this week, it was still a good time. According to their manager, Guillermo Wightman, this show was planned a mere three weeks ago. They got the call, booked the tickets and here they were.

This was the first time for Mondregon in Chicago. He was living in Mexico for two years and wasn’t on the first trip.

“It’s awesome. It’s an awesome city and I’m happy to be here,” he said. “I was in Mexico and I was tryin to fix my papers and my immigration status. I’m happy to be back.”

Flores’ voice was as magical on stage. The music really spoke for itself. New fans could not stop talking about the sharpness and the beauty of the songs they heard for the first time.

Flores and Mondregon played a new song called Cucu, representative of the heart in love. Upbeat and cute, the song is a definite upside to the music the band is producing. Most of the songs, they said, are about love.

For the past few years, Los Hollywood have been in the process of writing and figuring out just where they want their new album to go. Within the time they’ve been away from Chicago, they released a second EP, which I didn’t hear about until last night. But all of those elements will be going into the new album produced by Thom Russo, which they hope will be out by summer of 2012.

“We’re very excited because we’re going to work with a great producer who’s worked with Johnny Cash, Michael Jackson,” said Flores. ” [In] Latin America I would say Juanes, Mana. He just recently went to the Latin Grammys this year as a sound egineer. He now has 16 Grammys.”

The music on the new album is going to be an improvement and a change for sure, they all agreed.

“I think we’ve grown in these past three years since we came. I think the songs are going to be way better, the production, everything is going to sound a lot better,” said Flores.

The three have been working tediously on the lyrics to the songs, locking themselves away until they emerge with a hit, they said. But they never try to force or finish a song just to finish it. The lyrics have to come to them, they said.

“We’re not machines, you know? We’re not always producing songs. Pero queremos sacar canciones que le guste a la gente,” Mojica said. One song in particular took them a month to finish writing.  ”La cancion no queria ser terminada,” laughed Mojica.

“Some songs are like the first EP but everything is different. Things are different. Ahora los tres somos mas involucrados in the song writing,” Flores added.

Though the album isn’t done, it’s almost there. Once they land in San Diego, they’ll be going back to write more songs and finish the album.

The band played about four of their new songs, which seemed to hit home with the audience. Of course they played “No Te Aguites,” their fist single that everyone adores, “Te Quiero Tanto” and “Gira, Gira” off of their fist EP. People in the audience were definitely singing along.

Though their music is growing and changing, Mojica claimed that there will always be that “Los Hollywood” sound to their music.

“Even si tocamos cumbia, Los Hollywood will be there.  Creo que es la forma que tocamos juntos los tres. Cuando nos juntamos a tocar, sale el sonido de Los Hollywood,” he said.

It definitely showed last night. They ended their 10-song set list and decided to play just one more, with which the audience wasn’t satisfied. They left the stage only to be invited back on by screaming, whistling and chants of “Otra! Otra!”

What people don’t usually know is that Flores sang rancheras and mariachi music before finding her love for rock and pop. Mojica told me years ago that that’s how he came to find out who she was. She was the girl that sang Mariachi and played guitar in San Diego. The first song they ever played together was Alanis Morisette’s “You Oughta Know.”

As she came back on stage, they decided to play a ranchera that had people clapping and whistling up a storm. The girl still has it.

Over all, it was an excellent performance on a mild night in the city. The band said they had a blast and look forward to being back again. Meanwhile, they have big plans coming up like visiting Colombia, Spain and of course, Mexico.

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Ana Tijoux’s sophomore album drops Tuesday

Have you heard about Ana Tijoux’s new album, “La Bala”? Featuring 11 new songs and a collaboration with Jorge Drexler, among other artists, this album is sure to be a chart topper. Politically charged, enlightened and groovy, Tijoux takes a lot of the energy from her debut album “1977″ and brings it back again.

I had the pleasure of meeting Tijoux at the Latin Alternative Music Conference is New York City two years ago. Very talkative, educated and charming, Tijoux spoke to us about her climb to the top. In addition, I was also lucky enough to catch her performance at Lollapalooza last year, where she packed the house. People of all different shapes, colors and backgrounds were there, waving their hands, dancing with her music and some were even singing along.

Her recently released single “Shock” from the new album has already been named “Single of the Week” on iTunes Latino and has been featured on NPR and this Tuesday you’ll be able to get your hands on the new album, which was recorded in Santiago, Chile and mixed and mastered in Detroit.

Because of student protests in Chile and other worldly events, Tijoux was inspired to write “Shock” and pay homage to the protesters of her home country. The rapper, who was born in France to a French mother and Chilean father, there due to political exile during Pinochet’s regime, is multilingual and actually started rapping first in French then in Spanish. Tijoux has also claimed to know a little Japanese.

Wait to hear the buzz more as soon as the album is released. For now, check out the video to “Shock,” shot last year in Chile.

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“I am Puerto Rican and I don’t sell drugs”: Movement launched, well received across U.S.

It started with a Tweet. Better yet, it started with just social media.

People across the country TiVoed, recorded and watched the new ABC sitcom “Work It,” its pilot airing Jan. 3. The story is about two out-of-work salesmen who are hired by a pharmaceutical company dressed as women.

Amaury Velasco, a Puerto Rican actor, plays Angel Ortiz, which was supported by many across the country. It was one line which his character said that stirred a movement in the Puerto Rican and Latino communities, making the episode uneasy and disturbing to many.

Just one line: “I’m Puerto Rican. I’d be perfect for selling drugs.”

First and foremost, this sitcom was getting heat from the LGBTQ community because of the mere plot.

 ”It trivializes the experience of most trans women in the workplace,” said Danny Olvera, editor-on-chief of xQsi Magazine, a Latino LGBTQ online publication. ”The premise that two men only secure employment after they dress as women is preposterous.”

But this line pinning drug dealing to one particular group raised eyebrows from New York to LA. Attention was brought to the issue by George Torres’ Tweet:

@UrbanJibaro: Where is the comedy in “I’m Puerto Rican. I’d be perfect for selling drugs”? Can someone at ABC please tell me? #workit #latism

Torres, who was enlightened to the script of the show by Jaime “El Maestro” Emeric via a Facebook message, reached out the Latinos in Social Media, better known as LATISM because of the active work through social media and bringing light to important issues such as this. But then Torres reached out to the Latino Rebels, an online group dedicated to content creation on issues ignored by mainstream media. Lately, the group had seen a rise in website visits and and uphill climb on readers and fans, in addition to a successful boycott on Coors Lights’ “Emboricuate” campaign over the summer.

“I am hearing mixed reviews about whether or not this one joke merits so much attention. I say it does, we as Latinos have done enough in this country to have writers and content producers see us and shape images of us that are worthy of our contributions,” stated Torres in an email. “Furthermore, advertisers should respect the demographic that they covet so much and not fund programs that is offensive and hides behind creative license.”

It was then that Julio Varela wrote a piece on the Latino Rebels website and recorded the clip of the line that stirred national attention, including mention in El Nuevo Dia of Puerto Rico.

In Chicago, a film crew shooting a horror flick in the outskirts of the city, was inspired to bring attention to this issue. Darlene Vazquetellez and Carlos Jimenez Flores, both Puerto Rican, decided to start their own video movement. Via text messages, phone calls and Facebook messages and posts, they put the call out for videos from the Puerto Rican community, stating an introduction and ending with “I’m Puerto Rican and I don’t sell drugs.”

Jimenez Flores thought it would be an outstanding idea to start in Chicago, which has a very prevalent Puerto Rican community. Within their two-day break from shooting, they received hundreds of videos from across the country and across the world. It has been overwhelming to say the least, they both agreed.

Because of the successes, Jimenez Flores and Vazquetellez have decided to start a nonprofit organization called the Puerto Rican Alliance for Awareness, which already has a Facebook page and Twitter account. Paperwork for the nonprofit is being filed today to get the movement underway. This alliance is exactly that; not limiting to Puerto Rican issues, but fighting the fight of everyone who has suffered these types of injustices and stereotyping regardless of race, ethnicity, sex or creed, stated Jimenez Flores.

Look out for the full story on the emergence and birth of the Puerto Rican Alliance for Awareness in this week’s edition of EXTRA Newspaper.

 

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Morrissey performs at the Congress Theater

I got there a little late. I ran the four blocks from where I parked with tickets to see Morrissey in my back pocket. I had been waiting for this, but didn’t think it was going to happen. Lucky for me, I have friends who think of me when they think of good music. I was going to get to see Morrissey live in concert.

So, I’m going to admit, I haven’t been a fan very long. Judging that The Smiths were around for only four short years, from 1983 to ’87, I had first made contact with them while reading “The Perks of Being a Wallflower” about a adolecent boy who wrote letters to a unnamed source about his life. In the book, the boy makes a mixed tape of which I copied and made into a CD. “Asleep” was the only song by The Smiths on that playlist and I loved it.

During those four years, Morrissey’s voice and Johnny Marr’s riffs had changed the world in five albums. The lyrics that Morrissey sang hit home for so many people, especially Latinos, which is what you saw among the thousands last Saturday night at the Congress Theater. There is a documentary I have yet to see titled, “Passions Just Like Mine” which talks about the large Latino (predominantly Mexican) fan base that The Smiths captivated in Los Angeles.

There was literally no room at the Theater to get a clear view of Morrissey and his hair and his style. The back drops changed colors from red to blue as he sang. People downstairs in the mob, danced and put their fists up in the air with every lyric. Others danced and everyone sang along to classic songs like, “Everyday is Like Sunday” and “There Is A Light That Never Goes Out” and “First of the Gang to Die” and “When I Last Spoke To Carol.”

It was 1987 when the band decided to break up. Morrissey didn’t realize Marr was going to pull the plug on the project, but he did. The two ended up in court over music rights, which cost Morrissey a pretty penny; nonetheless leading him to initiate his own solo career as the famed musician he continues to be.

The emotion was there. The people in the front row jumped like fish, leaping at the stage and the security guards stood there, waiting, surrounding Morrissey as he continued singing, not missing a lyric. His hands shot out to the crowd, gracefully touching their hands, some fans refused to let go. As others who made it on to the stage were being dragged away on their heels, the legendary singer reached out to them and touched them; a gift bestowed to so few.

As it was pointed out in the documentary, “The Importance of Being Morrissey,” most of those leaping at the singer are men, not women. As one writer put it, “I think it speaks to the homosexual component of heterosexual men.”

The relationship between Morrissey and his audience is amazing. The feel, the calm soothing voice can make anyone believe that it’s all going to be OK. There is a sense of hope in all of his songs which read like poetry and sound so unique, the language that protrudes in his music cannot be distinctly described. Just read this piece, which is pretty long, taken from Believer Magazine. In this article titled “The Passion of Morrissey,”  the writer talks about this fine line that the singer has crossed, between religious icon and a musical superstar.

It’s as if his touch could cure, says “The Importance of Being Morrissey.” And to some, rightfully so. The night ended early as a mere 90 minutes set came to a close while crazy fans leaped on stage in attempts at one last touch or sight of the passionate singer. The band came out for one last bow and the lights suddenly turned on in the 85-year-old theater. I looked at my friend who I found on a whim and said, “Well, I guess that’s it,” followed by an “Oh, man! That was awesome!”

I’m glad my friend thought of me for those tickets. Although, I still had an extra ticket in my back pocket, I’m kind of glad I got to experience this one alone, for the most part. It was one of those nights.

The Smiths: There Is A Light That Never Goes Out

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The Spanish language and its many assets in the U.S.

Spanish was first spoken in St. Augustine, Fla. which was settled by the Spanish before the Pilgrims settled in Jamestown. If there’s one thing that every panel discussion had in common, this fact was it. Spanish was in this country before English was, when Ponce de Leon hit the peninsula and called it la Florida for its extensive flora.

Last week, on Dec. 8 and 9, people from all over the world came together to discuss the value of Spanish within the United States. The Instituto Cervantes hosted this two-day symposium to discuss the language’s strengths and benefits to implementing Spanish in the school system, business and the media. If you followed the live Twitter feed at @ExtraNewspaper, you would have seen the various quotes and ideas coming from people such as Sylvia Puente, executive director of the Latino Policy Forum; John Trainor, publisher of Hoy Newspaper; Gery Chico, chair of the Illinois State Board of Education; Juan Maneual Benitez, political reporter for NY1; David Alandete, reporter for El Pais, a Spanish newspaper; Alejandro Escalona, Chicago Sun-Times columnist and many others who live and work in Spanish.

From the discussion of just how much the United States works with Latin America, to just how much work needs to be done when it comes to advocacy for Latinos, it is an understatement to say that these panel discussions were overwhelming.

According to the education panel, Illinois is the first state in which is is mandatory to have bilingual classes during early childhood education. The need for bilingual teachers is scaring a lot of those who work within education because it is these teachers who are going to understand and know how to teach English language learners. What has been discovered, according to over 20 years of research, is that teaching a student in their native language while implementing a second language slowly will allow them to grow extensively, developing their cognitive skills along with becoming fully bilingual. Dual language education, where students learn and are taught in both languages might be the best bet for having students achieve and succeed in school. Transitional bilingual classes are the second best, slowly integrating students into English only classes, although hurting them because their Spanish is stunted due to its halt in curriculum. Ultimately, English as a second language could be detrimental to students, not only stunting but completely neglecting their Spanish development and teaching students completely in English. These students tend to drop out of high school or do not continue on with higher education, stated the panel.

In addition, the issue of Spanish being a second-class language has got to stop, said Reyna Hernandez. That’s how Spanish will finally be accepted and implemented into schools for the benefit of the students. Ironically, while native Spanish speaking students are being stripped of their language at school, higher class students are on waiting lists for language academies and dual language schools to learn Spanish as English-only speaking students. If Chicago Public Schools saw native Spanish-speakers as already ahead of the curve instead of behind it, students will be able to learn in a more fully and well-rounded manner.

When talking about the media, there were only a few things that came up which were on point and worth discussing further. The fact that there aren’t many Latinos in English-written papers is a problem, pointed out Escalona. He said that since the majority of the minority are Latino, there should be more Latino reporters. The issue of Latinos in newsroom has always been there, but the fact of the matter is that since there’s 50 million Latinos in the country, newsrooms should be representative of the population.

Alandete, foreign correspondent for El Pais, pointed out that many Latinos that he has spoken to in Washington, don’t seem to be on the same page in the sense of unification and progressing Latinos forward.

I fee that the most interesting speaker of the media panel was Kristin Moran, who did a study on the “niche market” that so many media outlets and marketers try to target. What many people know is that the Millennial generation is hard to pinpoint and at the same time, is the largest growing demographic.

She warned against Nielsen ratings, which state that the majority of Latino households speak and watch Spanish television. But what those ratings didn’t include were the opinions of the youngsters who live with their parents. The children and teenagers tend to watch more English television, watching Spanish-language programming with their Spanish-speaking parents. This is the intermittent generation that does not know the language barrier because they can speak and understand both English and Spanish.

Moran found that of the Latino families that she surveyed and worked with, most of them wanted to see their stories and experiences portrayed on mainstream television, not separately, like Tr3 has done, creating a whole network for this niche market. Dora the Explorer and Diego were also created especially for the Latino market, but have become so popular, no one cares where they’re from ethnically.

People don’t watch the Wizards of Waverly Place because the mom is Mexican and married to a retired wizard. They watch it because it’s popular. With this point, Moran posed the question: so are these specialty markets in which the media portrays as something so unique it needs its own everything correct? Is it making people feel inclusive to their American, monolingual, monocultural counterparts? Or is it segregating this generational market even more saying, “You’re so special, you need your own market, channel and network”?

Again, what she found is that Latinos wanted to be included in mainstream America, displaying their stories and experiences on network television. After listening to this, I realized that this was me. This was my market and I could understand exactly what Moran was talking about because it was my family she interviewed, in an abstract way, of course.

Overall, these panel discussions brought to light interesting information as well as leaving its listeners with food for thought. At least, the world of bilingualism, in which I live and work, my pride in my ability to function in Spanish grew just a bit more.

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