Poet calls for justice and peace in México

México’s coverage on its war on drugs has gone through several stages, ranging from the need to educate people all over the world about the ongoing issue to peoples’ indifference because they have become desensitized by the coverage on violence. It has become something they can’t control due to the corruption of power-hungry politicians and their lack of action; so it seems some have learned to deal with it. When I ask people for their opinion on México’s ongoing struggle, I’m given the same apathetic response almost every time: “Well, it’s been going on for years. It’s not going to change anytime soon. There’s nothing we can do.” When I stare back dumbfounded as I fully absorb the notion that they’ve given up so easily, I explain that there’s plenty we can do. We can unite, fight corruption. It won’t be done over-night. But, won’t it be worth it in the end? Of course, that’s easier said than done. Living in the U.S., it’s easy to ask people to take action. I’ve never lived in fear for my life for writing a story about the drug war and corruption as is the case for many reporters in México.

Nevertheless, I continue to have hope for a better México and I’m not alone. Javier Sicilia, poet, activist and journalist spoke at the National Museum of Mexican Art on April 17 about the country’s continuing struggle with violence and the importance of mobilizing and uniting to create a better México for all.

In March of 2011, Silicia’s son, Juan Francisco Sicilia Ortega was murdered in Temixco Morelos by drug gang members. In response, Sicilia has been traveling all over México and parts of the U.S. holding protests and calling for an end to the war on drugs, the legalization of drugs and the removal of Mexican President Felipe Calderon. Sicilia stated that this was not only a Mexican issue but for those living in the U.S as well.

“The day will come when whatever is happening there will happen here [in the United States] because here in the U.S. you also have victims of drugs, victims of guns. Your jails are full of people who are caught with just a little bit of drugs for their personal consumption and that means a lot of pain, broken families. It also means criminalizing because the largest number of people that end up in jail are blacks and Latinos. As if the drugs that whites took were good drugs. It needs to be decriminalized because it’s causing pain and lives and it’s enriching not only criminals but also people involved in laundering money,” said Sicilia.

The soft-spoken poet has become an unlikely leader to those who still hold out for change and peace and I think he has given people a sense of hope and unity. That’s exactly what México needs right now.

 

Observing the night sky

Look up at the sky. Do you see those two bright dots that appear right before dusk every evening? Those aren’t stars. They’re planets! I’m sure by now most of you are aware of Venus and Jupiter’s brief rendezvous during the month of March, which resulted in an amazing planetary alignment. But did you know there are other planets gracing us with their presence? In fact, Saturn, the faintest visible planet is as bright as the brightest stars and its rings can be seen through a backyard telescope. Saturn comes up in the east at nightfall in early April and will stay out from dusk until dawn in mid-April (April 15), when it will shine at its brightest for the year.

The red planet, Mars can still be seen in the south-east sky at dusk and nightfall (look for a faint red dot) and it stays out all night, keeping watch on all the night owls. Mercury, the innermost planet, rises in the east before sunrise so it will be difficult to view in the Northern Hemisphere.

All throughout April, Jupiter and Venus will be the first two planets to appear with Venus being the higher and brighter planet and Jupiter the lower. Although Jupiter is still very visible for those who know where to look, it settles itself closer to the horizon a few hours after nightfall and will disappear from view in late April or early May. Jupiter will leave the sky altogether on May 13 and Venus will make its final appearance on June 5 and 6.

It’s not difficult to see all the beauty the night sky has to offer – even with light pollution. “All you have to do is look up and wait,” says Jose Francisco Salgado, Astronomer and Science visualizer at the Adler Planetarium who strives to find innovative ways of educating people about our solar system.

Salgado also told me that technology has advanced so much that it’s continuously opening new windows to make new, exciting discoveries, like the fact that there are currently planets orbiting stars. However, one does not have to be an astronomer to discover something new about the universe. All you need is an inquisitive mind and a reminder to keep looking up.

**Here are some important dates to look out for:

  • April 15 - Saturn reaches opposition and will be visible from dusk until dawn
  • April 22 - If you have an unobstructed view of the horizon and a clear sky, you might be able to see the last pairing of the waxing crescent moon and Jupiter
  • April 23, 24 and 25 – you should have no trouble viewing the waxing crescent moon close to Venus
  • On any moonlit night in early April, you can get a good view of Jupiter’s four largest moons with a backyard telescope
  • April 30 – you’ll get a chance to see the moon with the red planet

 

A sample of how the evening crescent moon, Jupiter and Venus will appear at dusk on April 22

Canteca de Macao shake up the Double Door

Last night, Canteca de Macao made their highly anticipated appearance at the Double Door. I researched the band a few days before in order to get a better idea of what their music was about. I liked their mix of multiple styles and rhythms and could see myself getting into their music but I’ll admit, it didn’t have much of an impact on me. Last night’s concert, however, left me wondering who these guys (and girl) were and why I had never heard of them. Like with any other band, Canteca de Macao is something that must be experienced live. Their onstage energy is contagious and their elaborate wardrobe and eclectic fusion of ska, reggae and flamenco was enough to make even the most timid dancers move their feet.

Canteca de Macao, whose name is a result of switching the two letters in “manteca de cacao,” is comprised of: Alvaro Melgar (2nd Guitar), Ana Saboya (Lead voice), Guillermo Martinez (Drums), Isidoro Lora Tamayo (guitar & voice), Javier Rodriguez de Zuloaga (Jugglings), Juan Tomas Martinez (Percussion), Rodrigo Díaz (Percussion), Manuel Sanz Martinez (bajo) and Enrique Rodriguez Paredes (trompeta).

Be sure to look out for next week’s issue of Extra Newspaper for a longer review of the show and my interview with Anita. If you missed it, here’s a video from Monday night’s show. Enjoy!

A Palo Seco: Rebeca Tomás leaves the audience spellbound

Yesterday was International Women’s Day so it seemed appropriate for the Flamenco Festival and Instituto Cervantes to host an event that showcased some of the talented women in the flamenco scene for this performance titled A Palo Seco: “Rasgos Flamencos.” A Palo Seco refers to a category of flamenco; a festive and improvisational style in which people sing and dance spontaneously. The event featured talented musicians and dancers including: Alí Bello (violin), David M. Castellano (voice), Pedro Cortés (guitar & Musical Director), Oscar Valero (percussion & voice), Sol “La Argentinita” (dance), Marina Elana Scannell (dance) and Rebeca Tomás (dance, choreography, artistic direction).

Usually, during performances like these, I like to take notes (not an easy thing to do in a darkened auditorium) and look at the crowd’s reaction. This time, I found myself transfixed on the performers, their movements and improvisational style. I realize now why the venue does not allow photography during the performances. Perhaps it is because the flash disrupts the artists. I think it is because these performances are not meant to be seen through camera lenses, they are meant to be experienced along with those on stage.

If you have still not been to an event, don’t fret, you still have time to attend. Tonight’s performance at Instituto Cervantes features musical director, composer and interpreter Caroline Planté and tickets for the highly anticipated Canteca de Macao (Monday, March 12. Double Door) are still available but quickly selling out. For more information on tickets and dates, visit arteyvidachicago.com or www.chicago.cervantes.es

Look for next week’s issue of Extra newspaper for a longer review of the event as well as interviews with some of the performers.

Sol "La Argentinita" (left) and Marina Elana Scannell.

Flamenco en Chicago

The Flamenco Festival is in Chicago once again, bringing with it an an impressive line-up of several flamenco artists and performers. The  Chicago Flamenco Festival is celebrating its 10th year. It will feature performances, workshops and documentaries, giving Chicagoans a chance to witness as well as learn a little more about the art that is flamenco.

This year’s opening night included a performance by Diego Amador, accompanied by Jose Julian Heredia (bass) and Israel Varela (drums). Amador is an acclaimed flamenco pianist and singer whom by age 11 had learned to play several musical instruments and played the drums in a group called Pata Negra. Amador’s performance included songs like Calle las Flores and Tango al Latin. Some songs are just voice and piano while others include other instruments and hand claps. After the performance, the Diego Amador Trio greeted and joined the audience in the reception area, where people took advantage of the rare opportunity to meet and talk to an artist who has played such an important role in the flamenco movement.

When he is performing, his mind is in the music and the energy and passion he performs with is projected onto the audience. His immense love and knowledge for music is clear and it gave me the impression that he is a very dedicated artist and thus, very serious. However, Amador’s style appears to shift when he’s off the stage, seeming (to me) a little timid but also extremely amiable.

This is Amador’s 3rd time in Chicago and says he enjoys going to jazz bars when he’s in the city.

“I like going to jazz and blues bars because the music here is great. It’s what I’ve always wanted to learn,” he said.

If you missed Amador, you can see him again at the Chicago Flamenco Festival on February 17 and 18, where he will be joined by his brother, Raimundo Amador for the world premier of their not yet released record Black & Gypsy and if you happen to spot him at a blues bar around the city, don’t be shy, say hello.

** The Chicago Flamenco Festival takes place February 9 – March 15. For complete listings, visit www.chicago.cervantes.es, arteyvidachicago.com

Crane High School Improvement Plan

In spite of freezing temperatures and snowfall, many people made their way on Friday, January 20 to meet with Chicago Public Schools to protest the closing/phase out/turnaround of several schools around Chicago. At the last meeting, I expressed my concerns at the way the meeting was being held. Several teachers spoke about their students and the amount of dedication they showed, in spite of test scores. This is a serious issue and while the parents students and educators were all struggling to get their points across as to why Crane High School is a great school, they neglected to point out what they could do to improve it.
This time, they came prepared with a guideline for how they could improve the school and its students.

Why is the Phase-out/co-location a bad idea?
• Sending students to lower performing schools is not giving them access to a quality education.
• All receiving schools are level 3 schools and have been on probation for 10 years.
• For the class of 2012, Crane has outperformed all proposed receiving schools in EPAS Testing gains and has matched Citywide Gains
• There are increases in violence and suspensions following school actions. Ex: Austin closing means a 231% increase in suspensions involving violence at Clemente High School
• Students will travel across neighborhood borders into and through different gang territories
• Co-located buildings have a history of violence and uneven distribution of resources
How do we improve?
• We are looking forward to collaborating with CPS and the Board of Education to improve our school
• Space utilization – addition of desirable programs
• IB (International Baccalaureate)
• 7th and 8th grade Academy
• Increase CTE programs – Cosmetology, Trade programs etc.
• Student services – Mentoring, tutoring, development
• Increase special needs services – Crane is at 26% which is 12% above CPS average
• Parent services – workshops, trainings, GED programs, Resources room
Improve Instruction and increase student gains
• Data driven instruction – Organized Data Team trained and aligned with the district
• Strategic learning initiative – focus instructional program that has proven to increase student achievement in low performing CPS Schools
• Full day plan – focus on reading/writing
• Tiering of students based on individual needs to move toward skill mastery
• Goal: with full CPS support, we can make significant progress in moving Crane high school to a Level 2 school within 2 years

For a complete list visit coreteachers.com

What stands in the way of students getting a quality education?

On Friday, January 6, the public held their first round of meetings at several locations regarding the closing, phasing out and turnarounds of 19 Chicago Public Schools. Students, parents and educators gathered at Malcolm X College to protest the phasing out of Crane High School, which will begin sharing its building with Talent Development Charter High School as soon as Crane’s student body begins to decrease.

In a phase-out, students are allowed to remain in the school while all of the staff is replaced and forced to reapply for their jobs. Considering the fact that not all Chicago Public School teachers assigned to at-risk schools are as qualified – in fact, poorer students and students of color are more likely to be taught by an inexperienced teacher – one would think school turnarounds are not necessarily a bad thing. Several parents were in favor of this option stating that the schools are failing either way and this would be a good way to get quality teachers into the classroom.

The meeting was at times, a turmoil, with parents, teachers and administrators on opposite sides all needing to make their opinions known and failing to ask more important questions like: how can they all work together to provide quality training for students as well as their educators?

“Turnarounds affect the teachers as well,” states a Social Worker at CPS. “It’s important that the students and the teachers have consistency. Many times, teachers are hired and there’s no additional training, so if there is a student with behavior or other type of issues, [teachers] are not adequately prepared for that.”

One third of new teachers leave within the first three years and half are gone by the fifth year, (www.americanprogress.org), with reasons varying from lack of professional development and advancement opportunities to low pay and lack of support from school administrators.

“To most kids, a teacher is more than just a teacher. They are a mentor, a psychologist, all these things. So, in my opinion, these schools [that are failing] need more education and more experience for those teachers,” said Chenice Cathery, administrative assistant at Crane High School.

It is clear that a student’s level of success is hard to measure based solely on exams. Students need consistency and, more importantly, quality teachers they know and trust. Parents, teachers and the Board of Education must adequately assess those needs. Only then will they fully understand the root of the problem.

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