Tipsy Cake bakery offends Humboldt Park community

UPDATE: Tomorrow at noon there will be a protest at 1043 N. California against the comments made in this video. 

So last night, I got a message from a good friend over at Latino Rebels, the site that brings Latino issues to light that aren’t necessarily being covered by mainstream media.

The video is an interview by City Soles’ Scott Starbuck with Naomi Levine, owner of Tipsy Cake bakery that was once based and housed in Humboldt Park, from which they still produce all of their baked goods. The bakery has a new spot in Bucktown. Levine’s reason for moving? “Too many bullet holes in the cakes.”

Starbuck doesn’t ask what she means or even attempts to redirect the comment but plays on it, pointing into the cakes with his finger and laughing. What?

First of all, if you really wanted to see bullet holes in your cake, you should have settled in the area 25-30 years ago, when you really did have a reason to watch your back and your cakes. Humboldt Park was one of the most dangerous areas in the city of Chicago in the late’80s and early ’90s, I won’t deny that. Humboldt Park was featured on Ganglands by the History channel because of one of the gangs. But to say that that’s were Humboldt Park is now is just plain wrong.

Get your facts straight, lady. In the last 20 years, the Humboldt Park neighborhood has been the victim of intense gentrification. Where there were buildings being shut down, condos were going up. Lots were being sold and long-time family homes were being bought out, remodeled and rented for much more than anyone would think.

The only reason why it is still considered the nationalistic Puerto Rican community that it is, is because of the community itself that has stood its ground with a campaign known as “Humboldt Park no se vende.”

It’s the people who have cleaned up their neighborhood and have succeeded through a lifetime of struggles. Various people from all walks of life have come to enjoy what Humboldt Park is turning into: A haven for young Chicagoans to live. And guess what, they are Tipsy Cake constituents.

Levine obviously didn’t know what she was talking about and for her to insult a community that has come a long way without understanding the hardships was just insensitive and inappropriate, states the Humboldt Park Portal.

When the community found out about this video, they spoke out and guess what: Tipsy shut them up by deleting comments, blocking Facebook users and not responding to Tweets directed at them. Because people are super intelligent and the internet is a wonderful thing, users and angry constituents turned to Yelp, where you will find a long line of one-starred-comments telling them everything from “I have never been here and now I know I will NEVER shop here because of the video I watched…” to “Shame on you. Humboldt Park welcomed your business with open arms and you sh**ted on them. Karma is real.”

So we’ll leave  you with Latino Rebels’ edited video that talks about bullet holes and the crack that they sell. Yes, that’s right “Humboldt crack,” said Starbuck before putting it in his mouth.

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A Latin American Festival coming to the Congress?

Los Amigos Invisibles will be part of the Latin American Festival in July

According to Songkick.com, where readers are assured to be the first to know about concerts, there will be a Latin American Festival 2012 happening at our very own Congress Theater on Saturday, July 21. You heard right and can you guess the bands that are scheduled to appear?

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Cafe Tacuba 

Panteon Rococo

Kinky: Watch Bailar Hasta Quemarnos.

Los Amigos Invisibles , who by the way are playing the Cubby Bear on March 1. Guess who’s giving away passes to see that show? (That would be US!)

El Gran Silencio

Can you say, “WE’RE GOING TO BE THERE?” We’re shocked, amazed and excited.

Black History Month is for everyone

Gas mask, fire extinguisher, lawn mower, peanut butter, traffic light, cell phone, air conditioner, pencil sharpener, stove, refrigerator and an ironing board. They all have one thing in common– African Americans invented them. Black History month highlights the achievements of African-Americans. These achievements have had an effect on everyone in America. It is not just a celebration just for African-Americans but a celebration of the human spirit.

A man named Carter G. Woodson created Black History Month. Woodson was the son former slaves who received his bachelor’s and master’s degree from the University of Chicago. In 1912, Woodson became only the second African-American to earn a doctorate from Harvard University.

Black History Month was first called “Negro History Week.” Woodson chose the second week in February because both Frederick Douglass and Abraham Lincoln were born in the month of February. He viewed the two men as visionaries who influenced the lives of African-Americans. In 1976, the week was extended to one month to allow for more activities and programs.

Like the events that celebrate the Latino culture, Black History Months is about remembering the past by looking forward to the future.

Evan F. Moore is also a blogger for Chicago Now. He blogs at Fanning the Flames since 1978.

Los Hollywood leaves the crowd thirsting for more

Last night, the San Diego trio, Los Hollywood, hit up the Cubby Bear in Wrigleyville. As the opening act for Noches de Rock, which will take place Thursday nights, Los Hollywood was an excellent way to start the series.

The band hadn’t been back to Chicago since 2008, right after they won the MySpace Latino Battle of the Bands competition which not only built their fan base around the country, but launched them into the indie rock scene, playing at South By South West in Austin, Texas and the Latin Alternative Music Conference in New York City.

The band made up of Heidy Flores on vocals, Marcos Mondregon on guitar/bass and Gustavo Mojica on drums, recently ended their mini-Southern California tour, was only in for two days and had the opportunity to see Los Rieleros del Norte and K-Paz de la Sierra at VLive. The fact that they got a shout out from the stage, had an opportunity to hang out with Los Rieleros and got back stage access, threw Flores for a whirlwind.

“De repente dice uno de ellos, ‘Saludos a Los Hollywood!’ and I was excited!” said Flores. “He said it twice.”

The Cubby Bear performance started close to 11 p.m. with a fairly decent crowd. As soon as they took stage, people clapped, whistled and cheered.

Although many of us in the audience didn’t find out about this show until this week, it was still a good time. According to their manager, Guillermo Wightman, this show was planned a mere three weeks ago. They got the call, booked the tickets and here they were.

This was the first time for Mondregon in Chicago. He was living in Mexico for two years and wasn’t on the first trip.

“It’s awesome. It’s an awesome city and I’m happy to be here,” he said. “I was in Mexico and I was tryin to fix my papers and my immigration status. I’m happy to be back.”

Flores’ voice was as magical on stage. The music really spoke for itself. New fans could not stop talking about the sharpness and the beauty of the songs they heard for the first time.

Flores and Mondregon played a new song called Cucu, representative of the heart in love. Upbeat and cute, the song is a definite upside to the music the band is producing. Most of the songs, they said, are about love.

For the past few years, Los Hollywood have been in the process of writing and figuring out just where they want their new album to go. Within the time they’ve been away from Chicago, they released a second EP, which I didn’t hear about until last night. But all of those elements will be going into the new album produced by Thom Russo, which they hope will be out by summer of 2012.

“We’re very excited because we’re going to work with a great producer who’s worked with Johnny Cash, Michael Jackson,” said Flores. ” [In] Latin America I would say Juanes, Mana. He just recently went to the Latin Grammys this year as a sound egineer. He now has 16 Grammys.”

The music on the new album is going to be an improvement and a change for sure, they all agreed.

“I think we’ve grown in these past three years since we came. I think the songs are going to be way better, the production, everything is going to sound a lot better,” said Flores.

The three have been working tediously on the lyrics to the songs, locking themselves away until they emerge with a hit, they said. But they never try to force or finish a song just to finish it. The lyrics have to come to them, they said.

“We’re not machines, you know? We’re not always producing songs. Pero queremos sacar canciones que le guste a la gente,” Mojica said. One song in particular took them a month to finish writing.  ”La cancion no queria ser terminada,” laughed Mojica.

“Some songs are like the first EP but everything is different. Things are different. Ahora los tres somos mas involucrados in the song writing,” Flores added.

Though the album isn’t done, it’s almost there. Once they land in San Diego, they’ll be going back to write more songs and finish the album.

The band played about four of their new songs, which seemed to hit home with the audience. Of course they played “No Te Aguites,” their fist single that everyone adores, “Te Quiero Tanto” and “Gira, Gira” off of their fist EP. People in the audience were definitely singing along.

Though their music is growing and changing, Mojica claimed that there will always be that “Los Hollywood” sound to their music.

“Even si tocamos cumbia, Los Hollywood will be there.  Creo que es la forma que tocamos juntos los tres. Cuando nos juntamos a tocar, sale el sonido de Los Hollywood,” he said.

It definitely showed last night. They ended their 10-song set list and decided to play just one more, with which the audience wasn’t satisfied. They left the stage only to be invited back on by screaming, whistling and chants of “Otra! Otra!”

What people don’t usually know is that Flores sang rancheras and mariachi music before finding her love for rock and pop. Mojica told me years ago that that’s how he came to find out who she was. She was the girl that sang Mariachi and played guitar in San Diego. The first song they ever played together was Alanis Morisette’s “You Oughta Know.”

As she came back on stage, they decided to play a ranchera that had people clapping and whistling up a storm. The girl still has it.

Over all, it was an excellent performance on a mild night in the city. The band said they had a blast and look forward to being back again. Meanwhile, they have big plans coming up like visiting Colombia, Spain and of course, Mexico.

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Strange placement of a billboard in Pilsen

So I was on a CTA bus last week when I saw a billboard promoting tourism in Arizona. In any other situation I wouldn’t think twice about a billboard promoting tourism. But this particular billboard was at the corner of Ashland and Cermak. The billboard was in Pilsen, a predominately Latino neighborhood that has strong feelings one way or another about immigration. To make matters worse, Arizona has very strict laws regarding illegal immigration.

So I got in touch with someone from the Arizona board of tourism to find out why the billboard was placed in that neighborhood. I spoke with Kiva Couchon, Communications Manager and Public Information Officer.

”According to our agency’s marketing research, Chicago is a top visitor demographic for Arizona. We focus many of our traditional and digital advertising efforts throughout the greater city of Chicago. From Cactus League spring training excitement to the state’s amazing weather and outdoor adventures, Arizona appeals to visitors from Chicago. And that is something that we certainly appreciate!”

Believe it or not the numbers back her up. Outside of California and Texas the most visitors to Arizona come from the state of Illinois. Also, I have seen different version of the Arizona board of tourism billboard by Midway Airport and by the Magnificent Mile.

You could say that either the Arizona board of tourism just didn’t know better or placing that billboard in Pilsen was an aggressive way of spinning damage control. We’ll see.

Evan F. Moore is also a blogger for Chicago Now. He blogs at Fanning the Flames since 1978.

 

SoxFest 2012

 

Yes, I am covering Sox Fest this weekend. You might ask yourself why after how last season turned out. Well someone has to do it. The Chicago White Sox had a subpar season in 2011 (Read my blog about it). There are more subtractions than additions. Many players from last season are no longer with the team and outspoken manager Ozzie Guillen was not brought back. Expectations are low from the media and the team’s passionate fan base.

This is what you need to know about Soxfest

 

Where: Palmer House Hilton, 17 East Monroe St. Chicago, IL 60603
When:                                                January 27-29

Friday, January 27
4:00-9:00 p.m.

Saturday, January 28
9:00 a.m. – 4:00 p.m.

Sunday, January 29
9:00 a.m. – 3:00 p.m.

 

How Much: Two-Day Passes are $70.

Saturday-Only Passes are $50

Sunday-Only Passes are $35

Who will be there:  New White Sox manager Robin Ventura along with Jesse Crain, Adam Dunn, Tyler Flowers, Gavin Floyd, Phil Humber, Paul Konerko, Brent Lillibridge, Brent Morel, Jake Peavy, A.J. Pierzynski, Alexei Ramirez, Chris Sale, Matt Thornton, Dayan Viciedo and other current team members will be joined by members of the 2005 World Series winning White Sox team – Neal Cotts, Joe Crede, Pablo Ozuna, Cliff Politte and Frank Thomas are scheduled to appear.

 

Evan F. Moore is also a blogger for Chicago Now. He blogs at Fanning the Flames since 1978.

What stands in the way of students getting a quality education?

On Friday, January 6, the public held their first round of meetings at several locations regarding the closing, phasing out and turnarounds of 19 Chicago Public Schools. Students, parents and educators gathered at Malcolm X College to protest the phasing out of Crane High School, which will begin sharing its building with Talent Development Charter High School as soon as Crane’s student body begins to decrease.

In a phase-out, students are allowed to remain in the school while all of the staff is replaced and forced to reapply for their jobs. Considering the fact that not all Chicago Public School teachers assigned to at-risk schools are as qualified – in fact, poorer students and students of color are more likely to be taught by an inexperienced teacher – one would think school turnarounds are not necessarily a bad thing. Several parents were in favor of this option stating that the schools are failing either way and this would be a good way to get quality teachers into the classroom.

The meeting was at times, a turmoil, with parents, teachers and administrators on opposite sides all needing to make their opinions known and failing to ask more important questions like: how can they all work together to provide quality training for students as well as their educators?

“Turnarounds affect the teachers as well,” states a Social Worker at CPS. “It’s important that the students and the teachers have consistency. Many times, teachers are hired and there’s no additional training, so if there is a student with behavior or other type of issues, [teachers] are not adequately prepared for that.”

One third of new teachers leave within the first three years and half are gone by the fifth year, (www.americanprogress.org), with reasons varying from lack of professional development and advancement opportunities to low pay and lack of support from school administrators.

“To most kids, a teacher is more than just a teacher. They are a mentor, a psychologist, all these things. So, in my opinion, these schools [that are failing] need more education and more experience for those teachers,” said Chenice Cathery, administrative assistant at Crane High School.

It is clear that a student’s level of success is hard to measure based solely on exams. Students need consistency and, more importantly, quality teachers they know and trust. Parents, teachers and the Board of Education must adequately assess those needs. Only then will they fully understand the root of the problem.

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Bears Season Intercepted and Returned for a Touchdown

The Bears came into Sunday’s game against the Seattle Seahawks as the 4.5-point favorite.  A few weeks ago that would have seemed an insult to Chicago but with injuries to Bears quarterback, Jay Cutler and running back, Matt Forte, as well as one-sided losses to the Chiefs and Broncos, the situation had changed dramatically.  As it turned out, by making them favorites at all, the odds-makers were still overestimating the Bears.

On the other side of the field, Seattle came into Chicago on an upswing.  They had won four of their last five games and running back, Marshawn Lynch, scored a touchdown in every one of their last nine games.  Their winning ways would continue in Soldier Field.

The Bears offense got to work first on Sunday’s game, winning the coin toss and electing to receive, but they failed to score on their opening drive.  After a short gain on a running play by Marion Barber, Caleb Hanie missed badly on his first two passing attempts and the Bears were forced to punt. This drive would be indicative of the offense performance the rest of the game.

Later in the first quarter the Seahawks would take the lead on a running touchdown by Marshawn Lynch.

The Bears got back into the game by scoring a defensive touchdown after a Tavaris Jackson fumble caused by Julius Peppers.  Chicago went on to take the lead when Kahlil Bell made a touchdown catch (the Bears heavily featured Bell after Marion Barber’s gaffe-filled performance last week against the Broncos).  The Bears took this 14-7 lead into halftime.

That lead, however, did not last long. The Seahawks scored on their initial drive, moving the ball eighty yards.  The drive culminated with another Lynch touchdown.  On the ensuing possession, Caleb Hanie was intercepted by 323-pound defensive end, Red Bryant, a play which Bryant called “a fat kid’s dream.”

For the Bears, however, the nightmare was just getting started.  They were unable to score again, while Seattle went on to notch up 17 more points, six of which came from another interception that was returned for a touchdown.  The Bears ended the half with 31 unanswered points, for a final score of Seattle 38, Chicago 14.

At the post-game press conference, quarterback, Caleb Hanie, was asked to describe what was going through his head while throwing the Pick 6’s that sealed the Bears loss.  He quickly described the two plays and then joked “That’s it… seemed like more, huh?” It did indeed.

With Chicago’s loss on Sunday and Detroit’s win, it became almost impossible for the Bears to go into the playoffs.  Lovie Smith was noncommittal when asked what quarterback he would start next Sunday against Green Bay.  Considering the Bears’ play this Sunday, it’s difficult to imagine any of the active quarterbacks achieving success.

Casey Brazeal is a reporter for Extra where he writes travel and local news stories. Look for more Bears coverage in Friday’s print issue and read all of Casey’s work at NorthandClark.net.

Morrissey performs at the Congress Theater

I got there a little late. I ran the four blocks from where I parked with tickets to see Morrissey in my back pocket. I had been waiting for this, but didn’t think it was going to happen. Lucky for me, I have friends who think of me when they think of good music. I was going to get to see Morrissey live in concert.

So, I’m going to admit, I haven’t been a fan very long. Judging that The Smiths were around for only four short years, from 1983 to ’87, I had first made contact with them while reading “The Perks of Being a Wallflower” about a adolecent boy who wrote letters to a unnamed source about his life. In the book, the boy makes a mixed tape of which I copied and made into a CD. “Asleep” was the only song by The Smiths on that playlist and I loved it.

During those four years, Morrissey’s voice and Johnny Marr’s riffs had changed the world in five albums. The lyrics that Morrissey sang hit home for so many people, especially Latinos, which is what you saw among the thousands last Saturday night at the Congress Theater. There is a documentary I have yet to see titled, “Passions Just Like Mine” which talks about the large Latino (predominantly Mexican) fan base that The Smiths captivated in Los Angeles.

There was literally no room at the Theater to get a clear view of Morrissey and his hair and his style. The back drops changed colors from red to blue as he sang. People downstairs in the mob, danced and put their fists up in the air with every lyric. Others danced and everyone sang along to classic songs like, “Everyday is Like Sunday” and “There Is A Light That Never Goes Out” and “First of the Gang to Die” and “When I Last Spoke To Carol.”

It was 1987 when the band decided to break up. Morrissey didn’t realize Marr was going to pull the plug on the project, but he did. The two ended up in court over music rights, which cost Morrissey a pretty penny; nonetheless leading him to initiate his own solo career as the famed musician he continues to be.

The emotion was there. The people in the front row jumped like fish, leaping at the stage and the security guards stood there, waiting, surrounding Morrissey as he continued singing, not missing a lyric. His hands shot out to the crowd, gracefully touching their hands, some fans refused to let go. As others who made it on to the stage were being dragged away on their heels, the legendary singer reached out to them and touched them; a gift bestowed to so few.

As it was pointed out in the documentary, “The Importance of Being Morrissey,” most of those leaping at the singer are men, not women. As one writer put it, “I think it speaks to the homosexual component of heterosexual men.”

The relationship between Morrissey and his audience is amazing. The feel, the calm soothing voice can make anyone believe that it’s all going to be OK. There is a sense of hope in all of his songs which read like poetry and sound so unique, the language that protrudes in his music cannot be distinctly described. Just read this piece, which is pretty long, taken from Believer Magazine. In this article titled “The Passion of Morrissey,”  the writer talks about this fine line that the singer has crossed, between religious icon and a musical superstar.

It’s as if his touch could cure, says “The Importance of Being Morrissey.” And to some, rightfully so. The night ended early as a mere 90 minutes set came to a close while crazy fans leaped on stage in attempts at one last touch or sight of the passionate singer. The band came out for one last bow and the lights suddenly turned on in the 85-year-old theater. I looked at my friend who I found on a whim and said, “Well, I guess that’s it,” followed by an “Oh, man! That was awesome!”

I’m glad my friend thought of me for those tickets. Although, I still had an extra ticket in my back pocket, I’m kind of glad I got to experience this one alone, for the most part. It was one of those nights.

The Smiths: There Is A Light That Never Goes Out

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Inspirational Tony Melendez closes LATISM Conference 2011

“Never say I can’t,” said Tony Melendez as he played the guitar. The room at Navy Pier was captivated. He made everyone laugh with a rendition of a Diana Ross song, “Reach out and touch” by adding funny things to the end of the line like, “Reach out your hands and untie somebody’s shoe.” People did it and the community of techies laughed. This was the last surprise presentation of the Latinos in Social Media Conference of 2011. Aimed to inspire, Melendez has traveled to 46 countries because of music, he explained. The Venezuelan native has played for and been kissed by the pope. His faith in God and Christian lifestyle has worked wonders for the man, making him available to play and tell his story.

There’s only one issue. He was born without arms. So how does he play the guitar you ask? He plays with his feet. Amazing isn’t it? He does everything with his feet. From driving to opening doors, using his phone and walking. “Never say you can’t,” he repeated throughout his inspirational presentation. People cried, especially women. A friend of mine, whom I saw after the presentation said, “Screw the touch up. I’m going to be crying all night.” She ended up recording a good chunk of the presentation to show to her kids. It would be an understatement to say that the presentation didn’t hit home with the LATISM crowd. Phones were up, cameras were out recording as people listened intently as Melendez sang his life story bilingually.

There are possibilities for everything. That’s what I gathered from his story. From being the odd ball kid at school with an older brother wrongly ashamed of him, Melendez proved that he could do just as much, if not more than other kids his age. His brother spoke about the first time he “saw” his brother. It was after Tony had begun to assist the same school as his big brother. “I walked into my mom’s room and asked my mom why Tony had to be at the same school as me,” he explained. It was then that his mother told him that God created him that way and that regardless, they should love him the way he is. That afternoon, Tony proved to his brother that he could play Frisbee by catching with his shoulder and chin and throwing with his right foot, hitting his brother on the bridge of his nose.

I understood the message, loud and clear. Regardless of physical appearance, I can say I relate to this situation. First of all, I cringe when I hear people say, “I can’t.” I feel that by saying that, you close off yourself to any type of possibility of things happening in a positive light. You always can. There’s really nothing that we as humans can’t do; that is, unless you double book yourself on the same night. That’s the only time I’ll accept it. There is always a possibility of “CAN.”

The other thing I related to was pity. Melendez talked about people either offering him prosthetic arms or asking him if he would ever want arms. “What would I do with arms?” he said. Growing up his whole life without them, there is no room for pity. If you’ve never had something, you can’t miss it. “This is all I need,” he said picking up his foot.

I’m a Type 1 diabetic and although you can’t see my “disability” it’s clear and present in every moment of my waking life. When you look at my pump, you see the source of my health, as odd as that sounds. My little battery-operated purple insulin pump gives me my doses, keeps me alive. I was diagnosed at 7 years old. For almost 20 years now, I haven’t known to live my life any different. Checking, poking, prodding; it’s all a part of it and there is no getting rid of it. But I’ve realized that being diabetic has made me who I am. It has made me healthy and vibrant and thankful and motivated. It has given me inspiration, made me angry and overall, has given me patience. So when I hear, “I’m sorry to hear that,” after telling someone that I have diabetes, my first response is not shame but, “I don’t need your pity.” I tell people, “Why are you sorry? It’s not your fault and I’m perfectly healthy.”

If anything, I looked at Melendez and thought to myself, “You’re right, man!” If you were there that night, I hope it reinforced your ambition and ability to move and grow and sing and dance. There’s nothing better than enjoying your life with what you have and not asking for more. Many times what you’re looking for is right in front of you. Grasp it and be thankful.

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