The Grammy Awards: What we loved, what we hated.

The bloggers and I watched the Grammys and we had a lot of things to say about them. But this is a blog post, so we’re going to keep it short and sweet. So here we go…

  • Did you know that the Grammys cut out 31 categories, many of which were formerly claimed by artists of color? Our friends over at Latino Rebels showed this to us. Our bloggers also brought it up and someone said he didn’t like the fact that there was a lack of Latino performers. “But they have their own Grammys!” you say. Yes, but there are also many, many artists who claimed these diverse categories that have nowhere else to be honored or acknowledged.  Check out the petition and see why well-known acts such as Santana, Ruben Blades and Bobby Sanabria have boycotted the Grammys this year. It’s caused quite a stir.
  • We loved Bruno Mars‘ performance. We’re convinced that Filipinos mixed with Latinos make beautiful babies. See below.

  • What more though, is that we loved his hair.

    Bruno Mars | Photo by Getty Images

  • Another thing we loved was the fact that Adeleis back! And not only did she give one stellar performance, but she took home six Grammys! We loved her performance so much, that it totally overshadowed some others that we’ll get to later.

    Adele with 6 | Getty Images

  • And so, if you missed the performance, we’ll show you that too. (We know this is getting insanely long, but live with it!)  This recording is like you’re watching it from you own TV!

  • This was my favorite quote by Bob Lefsetz about the Grammys: “Less is more. Who made a bigger impression last night, Adele or Nicki Minaj? Who sold more records? It’s about music. It goes in the ears, not the eyes.”
  • Which leads us to the worst of the night. Nicki, what in the world were you thinking?! Because TMZ said it best, we’re going to let TMZ say it again.

  • And finally, Bon Iver. I had never heard of him before the award like last year, when no one knew who Esperanza Spaulding was and she, my friends, is amazing. So what did I do? I YouTubed the guy and I found the video below. There are more videos to watch and although he’s soothing, I think the Recording Academy was going for quality over… umm… Lady Gaga wannabe? To each their own, but in the end, Bon Iver (whoever he is) did good.

  • And last but not least, we hated the fact that Chris Brown performed and even more, that little girls everywhere were saying things like, “Chris Brown can beat me any time he wants.” No, girls! Latina Denial said it best in their blog and we will repeat: No, a man can not beat you any time he wants! We’re not even going to show the video because it was sad. Nice try to jump start your career but too bad it ended because smart women didn’t like the fact that you leave chicks with black eyes. Gross!
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Los Hollywood leaves the crowd thirsting for more

Last night, the San Diego trio, Los Hollywood, hit up the Cubby Bear in Wrigleyville. As the opening act for Noches de Rock, which will take place Thursday nights, Los Hollywood was an excellent way to start the series.

The band hadn’t been back to Chicago since 2008, right after they won the MySpace Latino Battle of the Bands competition which not only built their fan base around the country, but launched them into the indie rock scene, playing at South By South West in Austin, Texas and the Latin Alternative Music Conference in New York City.

The band made up of Heidy Flores on vocals, Marcos Mondregon on guitar/bass and Gustavo Mojica on drums, recently ended their mini-Southern California tour, was only in for two days and had the opportunity to see Los Rieleros del Norte and K-Paz de la Sierra at VLive. The fact that they got a shout out from the stage, had an opportunity to hang out with Los Rieleros and got back stage access, threw Flores for a whirlwind.

“De repente dice uno de ellos, ‘Saludos a Los Hollywood!’ and I was excited!” said Flores. “He said it twice.”

The Cubby Bear performance started close to 11 p.m. with a fairly decent crowd. As soon as they took stage, people clapped, whistled and cheered.

Although many of us in the audience didn’t find out about this show until this week, it was still a good time. According to their manager, Guillermo Wightman, this show was planned a mere three weeks ago. They got the call, booked the tickets and here they were.

This was the first time for Mondregon in Chicago. He was living in Mexico for two years and wasn’t on the first trip.

“It’s awesome. It’s an awesome city and I’m happy to be here,” he said. “I was in Mexico and I was tryin to fix my papers and my immigration status. I’m happy to be back.”

Flores’ voice was as magical on stage. The music really spoke for itself. New fans could not stop talking about the sharpness and the beauty of the songs they heard for the first time.

Flores and Mondregon played a new song called Cucu, representative of the heart in love. Upbeat and cute, the song is a definite upside to the music the band is producing. Most of the songs, they said, are about love.

For the past few years, Los Hollywood have been in the process of writing and figuring out just where they want their new album to go. Within the time they’ve been away from Chicago, they released a second EP, which I didn’t hear about until last night. But all of those elements will be going into the new album produced by Thom Russo, which they hope will be out by summer of 2012.

“We’re very excited because we’re going to work with a great producer who’s worked with Johnny Cash, Michael Jackson,” said Flores. ” [In] Latin America I would say Juanes, Mana. He just recently went to the Latin Grammys this year as a sound egineer. He now has 16 Grammys.”

The music on the new album is going to be an improvement and a change for sure, they all agreed.

“I think we’ve grown in these past three years since we came. I think the songs are going to be way better, the production, everything is going to sound a lot better,” said Flores.

The three have been working tediously on the lyrics to the songs, locking themselves away until they emerge with a hit, they said. But they never try to force or finish a song just to finish it. The lyrics have to come to them, they said.

“We’re not machines, you know? We’re not always producing songs. Pero queremos sacar canciones que le guste a la gente,” Mojica said. One song in particular took them a month to finish writing.  ”La cancion no queria ser terminada,” laughed Mojica.

“Some songs are like the first EP but everything is different. Things are different. Ahora los tres somos mas involucrados in the song writing,” Flores added.

Though the album isn’t done, it’s almost there. Once they land in San Diego, they’ll be going back to write more songs and finish the album.

The band played about four of their new songs, which seemed to hit home with the audience. Of course they played “No Te Aguites,” their fist single that everyone adores, “Te Quiero Tanto” and “Gira, Gira” off of their fist EP. People in the audience were definitely singing along.

Though their music is growing and changing, Mojica claimed that there will always be that “Los Hollywood” sound to their music.

“Even si tocamos cumbia, Los Hollywood will be there.  Creo que es la forma que tocamos juntos los tres. Cuando nos juntamos a tocar, sale el sonido de Los Hollywood,” he said.

It definitely showed last night. They ended their 10-song set list and decided to play just one more, with which the audience wasn’t satisfied. They left the stage only to be invited back on by screaming, whistling and chants of “Otra! Otra!”

What people don’t usually know is that Flores sang rancheras and mariachi music before finding her love for rock and pop. Mojica told me years ago that that’s how he came to find out who she was. She was the girl that sang Mariachi and played guitar in San Diego. The first song they ever played together was Alanis Morisette’s “You Oughta Know.”

As she came back on stage, they decided to play a ranchera that had people clapping and whistling up a storm. The girl still has it.

Over all, it was an excellent performance on a mild night in the city. The band said they had a blast and look forward to being back again. Meanwhile, they have big plans coming up like visiting Colombia, Spain and of course, Mexico.

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Ana Tijoux’s sophomore album drops Tuesday

Have you heard about Ana Tijoux’s new album, “La Bala”? Featuring 11 new songs and a collaboration with Jorge Drexler, among other artists, this album is sure to be a chart topper. Politically charged, enlightened and groovy, Tijoux takes a lot of the energy from her debut album “1977″ and brings it back again.

I had the pleasure of meeting Tijoux at the Latin Alternative Music Conference is New York City two years ago. Very talkative, educated and charming, Tijoux spoke to us about her climb to the top. In addition, I was also lucky enough to catch her performance at Lollapalooza last year, where she packed the house. People of all different shapes, colors and backgrounds were there, waving their hands, dancing with her music and some were even singing along.

Her recently released single “Shock” from the new album has already been named “Single of the Week” on iTunes Latino and has been featured on NPR and this Tuesday you’ll be able to get your hands on the new album, which was recorded in Santiago, Chile and mixed and mastered in Detroit.

Because of student protests in Chile and other worldly events, Tijoux was inspired to write “Shock” and pay homage to the protesters of her home country. The rapper, who was born in France to a French mother and Chilean father, there due to political exile during Pinochet’s regime, is multilingual and actually started rapping first in French then in Spanish. Tijoux has also claimed to know a little Japanese.

Wait to hear the buzz more as soon as the album is released. For now, check out the video to “Shock,” shot last year in Chile.

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For-profit college:the slippery slope and student loan debt

 

As much as the general public wants to blame for-profit universities for false promises, the people who apply to these schools should shoulder some of the blame. People should look into the school that they apply to before they are crushed by student loans. Illinois Attorney General Lisa Madigan is suing local for-profit university Westwood College for providing false hope and rising student loans to students in the criminal justice program. When these students graduate, they are hit with the harsh reality: Their degree is from a university that is not accredited.

Accreditation is the act of granting credit or recognition to educational institutions that maintains suitable standards.

I have heard the stories of people who went to for-profits schools only to be crushed by student loan debt. It is sad.

However, it is hard to sympathize with someone who did not find a job because they later found out that the school they went to was not accredited. As someone who will soon have a Master’s degree from a for-profit university, before I signed up I checked to see if the school was accredited and looked to see if I could handle the course load.

The elephant in the room about for-profit universities that no one like to talk about is some of the people who apply to the school get overwhelmed by the coursework. These people usually drop out owing money to a school they obviously had no business being in the first place.

 

Evan F. Moore is also a blogger for Chicago Now. He blogs at Fanning the Flames since 1978.

What stands in the way of students getting a quality education?

On Friday, January 6, the public held their first round of meetings at several locations regarding the closing, phasing out and turnarounds of 19 Chicago Public Schools. Students, parents and educators gathered at Malcolm X College to protest the phasing out of Crane High School, which will begin sharing its building with Talent Development Charter High School as soon as Crane’s student body begins to decrease.

In a phase-out, students are allowed to remain in the school while all of the staff is replaced and forced to reapply for their jobs. Considering the fact that not all Chicago Public School teachers assigned to at-risk schools are as qualified – in fact, poorer students and students of color are more likely to be taught by an inexperienced teacher – one would think school turnarounds are not necessarily a bad thing. Several parents were in favor of this option stating that the schools are failing either way and this would be a good way to get quality teachers into the classroom.

The meeting was at times, a turmoil, with parents, teachers and administrators on opposite sides all needing to make their opinions known and failing to ask more important questions like: how can they all work together to provide quality training for students as well as their educators?

“Turnarounds affect the teachers as well,” states a Social Worker at CPS. “It’s important that the students and the teachers have consistency. Many times, teachers are hired and there’s no additional training, so if there is a student with behavior or other type of issues, [teachers] are not adequately prepared for that.”

One third of new teachers leave within the first three years and half are gone by the fifth year, (www.americanprogress.org), with reasons varying from lack of professional development and advancement opportunities to low pay and lack of support from school administrators.

“To most kids, a teacher is more than just a teacher. They are a mentor, a psychologist, all these things. So, in my opinion, these schools [that are failing] need more education and more experience for those teachers,” said Chenice Cathery, administrative assistant at Crane High School.

It is clear that a student’s level of success is hard to measure based solely on exams. Students need consistency and, more importantly, quality teachers they know and trust. Parents, teachers and the Board of Education must adequately assess those needs. Only then will they fully understand the root of the problem.

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“I am Puerto Rican and I don’t sell drugs”: Movement launched, well received across U.S.

It started with a Tweet. Better yet, it started with just social media.

People across the country TiVoed, recorded and watched the new ABC sitcom “Work It,” its pilot airing Jan. 3. The story is about two out-of-work salesmen who are hired by a pharmaceutical company dressed as women.

Amaury Velasco, a Puerto Rican actor, plays Angel Ortiz, which was supported by many across the country. It was one line which his character said that stirred a movement in the Puerto Rican and Latino communities, making the episode uneasy and disturbing to many.

Just one line: “I’m Puerto Rican. I’d be perfect for selling drugs.”

First and foremost, this sitcom was getting heat from the LGBTQ community because of the mere plot.

 ”It trivializes the experience of most trans women in the workplace,” said Danny Olvera, editor-on-chief of xQsi Magazine, a Latino LGBTQ online publication. ”The premise that two men only secure employment after they dress as women is preposterous.”

But this line pinning drug dealing to one particular group raised eyebrows from New York to LA. Attention was brought to the issue by George Torres’ Tweet:

@UrbanJibaro: Where is the comedy in “I’m Puerto Rican. I’d be perfect for selling drugs”? Can someone at ABC please tell me? #workit #latism

Torres, who was enlightened to the script of the show by Jaime “El Maestro” Emeric via a Facebook message, reached out the Latinos in Social Media, better known as LATISM because of the active work through social media and bringing light to important issues such as this. But then Torres reached out to the Latino Rebels, an online group dedicated to content creation on issues ignored by mainstream media. Lately, the group had seen a rise in website visits and and uphill climb on readers and fans, in addition to a successful boycott on Coors Lights’ “Emboricuate” campaign over the summer.

“I am hearing mixed reviews about whether or not this one joke merits so much attention. I say it does, we as Latinos have done enough in this country to have writers and content producers see us and shape images of us that are worthy of our contributions,” stated Torres in an email. “Furthermore, advertisers should respect the demographic that they covet so much and not fund programs that is offensive and hides behind creative license.”

It was then that Julio Varela wrote a piece on the Latino Rebels website and recorded the clip of the line that stirred national attention, including mention in El Nuevo Dia of Puerto Rico.

In Chicago, a film crew shooting a horror flick in the outskirts of the city, was inspired to bring attention to this issue. Darlene Vazquetellez and Carlos Jimenez Flores, both Puerto Rican, decided to start their own video movement. Via text messages, phone calls and Facebook messages and posts, they put the call out for videos from the Puerto Rican community, stating an introduction and ending with “I’m Puerto Rican and I don’t sell drugs.”

Jimenez Flores thought it would be an outstanding idea to start in Chicago, which has a very prevalent Puerto Rican community. Within their two-day break from shooting, they received hundreds of videos from across the country and across the world. It has been overwhelming to say the least, they both agreed.

Because of the successes, Jimenez Flores and Vazquetellez have decided to start a nonprofit organization called the Puerto Rican Alliance for Awareness, which already has a Facebook page and Twitter account. Paperwork for the nonprofit is being filed today to get the movement underway. This alliance is exactly that; not limiting to Puerto Rican issues, but fighting the fight of everyone who has suffered these types of injustices and stereotyping regardless of race, ethnicity, sex or creed, stated Jimenez Flores.

Look out for the full story on the emergence and birth of the Puerto Rican Alliance for Awareness in this week’s edition of EXTRA Newspaper.

 

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Morrissey performs at the Congress Theater

I got there a little late. I ran the four blocks from where I parked with tickets to see Morrissey in my back pocket. I had been waiting for this, but didn’t think it was going to happen. Lucky for me, I have friends who think of me when they think of good music. I was going to get to see Morrissey live in concert.

So, I’m going to admit, I haven’t been a fan very long. Judging that The Smiths were around for only four short years, from 1983 to ’87, I had first made contact with them while reading “The Perks of Being a Wallflower” about a adolecent boy who wrote letters to a unnamed source about his life. In the book, the boy makes a mixed tape of which I copied and made into a CD. “Asleep” was the only song by The Smiths on that playlist and I loved it.

During those four years, Morrissey’s voice and Johnny Marr’s riffs had changed the world in five albums. The lyrics that Morrissey sang hit home for so many people, especially Latinos, which is what you saw among the thousands last Saturday night at the Congress Theater. There is a documentary I have yet to see titled, “Passions Just Like Mine” which talks about the large Latino (predominantly Mexican) fan base that The Smiths captivated in Los Angeles.

There was literally no room at the Theater to get a clear view of Morrissey and his hair and his style. The back drops changed colors from red to blue as he sang. People downstairs in the mob, danced and put their fists up in the air with every lyric. Others danced and everyone sang along to classic songs like, “Everyday is Like Sunday” and “There Is A Light That Never Goes Out” and “First of the Gang to Die” and “When I Last Spoke To Carol.”

It was 1987 when the band decided to break up. Morrissey didn’t realize Marr was going to pull the plug on the project, but he did. The two ended up in court over music rights, which cost Morrissey a pretty penny; nonetheless leading him to initiate his own solo career as the famed musician he continues to be.

The emotion was there. The people in the front row jumped like fish, leaping at the stage and the security guards stood there, waiting, surrounding Morrissey as he continued singing, not missing a lyric. His hands shot out to the crowd, gracefully touching their hands, some fans refused to let go. As others who made it on to the stage were being dragged away on their heels, the legendary singer reached out to them and touched them; a gift bestowed to so few.

As it was pointed out in the documentary, “The Importance of Being Morrissey,” most of those leaping at the singer are men, not women. As one writer put it, “I think it speaks to the homosexual component of heterosexual men.”

The relationship between Morrissey and his audience is amazing. The feel, the calm soothing voice can make anyone believe that it’s all going to be OK. There is a sense of hope in all of his songs which read like poetry and sound so unique, the language that protrudes in his music cannot be distinctly described. Just read this piece, which is pretty long, taken from Believer Magazine. In this article titled “The Passion of Morrissey,”  the writer talks about this fine line that the singer has crossed, between religious icon and a musical superstar.

It’s as if his touch could cure, says “The Importance of Being Morrissey.” And to some, rightfully so. The night ended early as a mere 90 minutes set came to a close while crazy fans leaped on stage in attempts at one last touch or sight of the passionate singer. The band came out for one last bow and the lights suddenly turned on in the 85-year-old theater. I looked at my friend who I found on a whim and said, “Well, I guess that’s it,” followed by an “Oh, man! That was awesome!”

I’m glad my friend thought of me for those tickets. Although, I still had an extra ticket in my back pocket, I’m kind of glad I got to experience this one alone, for the most part. It was one of those nights.

The Smiths: There Is A Light That Never Goes Out

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The Spanish language and its many assets in the U.S.

Spanish was first spoken in St. Augustine, Fla. which was settled by the Spanish before the Pilgrims settled in Jamestown. If there’s one thing that every panel discussion had in common, this fact was it. Spanish was in this country before English was, when Ponce de Leon hit the peninsula and called it la Florida for its extensive flora.

Last week, on Dec. 8 and 9, people from all over the world came together to discuss the value of Spanish within the United States. The Instituto Cervantes hosted this two-day symposium to discuss the language’s strengths and benefits to implementing Spanish in the school system, business and the media. If you followed the live Twitter feed at @ExtraNewspaper, you would have seen the various quotes and ideas coming from people such as Sylvia Puente, executive director of the Latino Policy Forum; John Trainor, publisher of Hoy Newspaper; Gery Chico, chair of the Illinois State Board of Education; Juan Maneual Benitez, political reporter for NY1; David Alandete, reporter for El Pais, a Spanish newspaper; Alejandro Escalona, Chicago Sun-Times columnist and many others who live and work in Spanish.

From the discussion of just how much the United States works with Latin America, to just how much work needs to be done when it comes to advocacy for Latinos, it is an understatement to say that these panel discussions were overwhelming.

According to the education panel, Illinois is the first state in which is is mandatory to have bilingual classes during early childhood education. The need for bilingual teachers is scaring a lot of those who work within education because it is these teachers who are going to understand and know how to teach English language learners. What has been discovered, according to over 20 years of research, is that teaching a student in their native language while implementing a second language slowly will allow them to grow extensively, developing their cognitive skills along with becoming fully bilingual. Dual language education, where students learn and are taught in both languages might be the best bet for having students achieve and succeed in school. Transitional bilingual classes are the second best, slowly integrating students into English only classes, although hurting them because their Spanish is stunted due to its halt in curriculum. Ultimately, English as a second language could be detrimental to students, not only stunting but completely neglecting their Spanish development and teaching students completely in English. These students tend to drop out of high school or do not continue on with higher education, stated the panel.

In addition, the issue of Spanish being a second-class language has got to stop, said Reyna Hernandez. That’s how Spanish will finally be accepted and implemented into schools for the benefit of the students. Ironically, while native Spanish speaking students are being stripped of their language at school, higher class students are on waiting lists for language academies and dual language schools to learn Spanish as English-only speaking students. If Chicago Public Schools saw native Spanish-speakers as already ahead of the curve instead of behind it, students will be able to learn in a more fully and well-rounded manner.

When talking about the media, there were only a few things that came up which were on point and worth discussing further. The fact that there aren’t many Latinos in English-written papers is a problem, pointed out Escalona. He said that since the majority of the minority are Latino, there should be more Latino reporters. The issue of Latinos in newsroom has always been there, but the fact of the matter is that since there’s 50 million Latinos in the country, newsrooms should be representative of the population.

Alandete, foreign correspondent for El Pais, pointed out that many Latinos that he has spoken to in Washington, don’t seem to be on the same page in the sense of unification and progressing Latinos forward.

I fee that the most interesting speaker of the media panel was Kristin Moran, who did a study on the “niche market” that so many media outlets and marketers try to target. What many people know is that the Millennial generation is hard to pinpoint and at the same time, is the largest growing demographic.

She warned against Nielsen ratings, which state that the majority of Latino households speak and watch Spanish television. But what those ratings didn’t include were the opinions of the youngsters who live with their parents. The children and teenagers tend to watch more English television, watching Spanish-language programming with their Spanish-speaking parents. This is the intermittent generation that does not know the language barrier because they can speak and understand both English and Spanish.

Moran found that of the Latino families that she surveyed and worked with, most of them wanted to see their stories and experiences portrayed on mainstream television, not separately, like Tr3 has done, creating a whole network for this niche market. Dora the Explorer and Diego were also created especially for the Latino market, but have become so popular, no one cares where they’re from ethnically.

People don’t watch the Wizards of Waverly Place because the mom is Mexican and married to a retired wizard. They watch it because it’s popular. With this point, Moran posed the question: so are these specialty markets in which the media portrays as something so unique it needs its own everything correct? Is it making people feel inclusive to their American, monolingual, monocultural counterparts? Or is it segregating this generational market even more saying, “You’re so special, you need your own market, channel and network”?

Again, what she found is that Latinos wanted to be included in mainstream America, displaying their stories and experiences on network television. After listening to this, I realized that this was me. This was my market and I could understand exactly what Moran was talking about because it was my family she interviewed, in an abstract way, of course.

Overall, these panel discussions brought to light interesting information as well as leaving its listeners with food for thought. At least, the world of bilingualism, in which I live and work, my pride in my ability to function in Spanish grew just a bit more.

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A quick preview of the concerts EXTRA shot in 2011. Photos: Abel Arciniega | EXTRA

I had the opportunity to shoot over a dozen concerts this year. Here is a preview of some of the artists that came into town. Do you have any concerts that you shot? Share your photos with us. We would love to see them.

Hit us up on our Facebook page: www.facebook/extranewspaper

Keep shootin!!!

 

U.S. Civil Rights Commission to Hold 2012 Briefing on the Civil Rights Impact of State Immigration Laws

WASHINGTON, Nov. 22, 2011 – The United States Commission on Civil Rights announces that at its monthly business meeting on Nov. 18, 2011, the eight-member Commission unanimously voted to look into the civil rights impact of state-enacted immigration enforcement laws, with a special focus on Alabama, Georgia and South Carolina.

“I believe that the enactment of these state immigration enforcement laws presents a pressing national civil rights issue that affects immigrants and U.S. citizens alike,” stated Commission Chairman Martin R. Castro. ”I’m proud that my fellow Commissioners joined me in voting unanimously and in bipartisan manner to have the Commission look into this important issue.”

The Commission will analyze whether the state-enacted immigration enforcement laws have adversely affected the civil rights of both naturalized and native-born U.S. citizens and non-citizen immigrants on the basis of color, race, and/or national origin, and whether they cause a denial of equal protection in the administration of justice. In particular, the Commission will examine whether the state-level immigration laws foster discrimination and/or contribute to an increase in hate crimes; cause elevated racial and ethnic profiling; affect students’ rights to public primary and secondary school education; and compromise public safety and community policing.  A briefing will be held in 2012 that will allow the Commission to receive testimony as to the impact that these state-enacted laws have had on local communities.

The U.S. Commission on Civil Rights is an independent, bipartisan agency charged with monitoring federal civil rights enforcement.  Commission meetings and briefings are open to the general public.  The Commission’s website is http://www.usccr.gov.

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